#FreeKesha: Kesha being contractually obliged to work under her abuser devalues women's lives and bodies

Sunday, February 21, 2016

"Kesha at the Today Show in New York on November 20, 2012" by Becky Sullivan is licensed under CC by 2.0

Last Friday, Kesha’s request to be released from her recording contract with the producer Dr Luke, who she filed a lawsuit against in 2014 claiming he physically and sexually assaulted her, was denied.

Kesha claims the abuse began when she first signed with him in 2005 (she was then 18-years-old), and continued until she checked into rehab in 2014 for an eating disorder. Haley Potiker has written a brilliant in-depth timeline of Kesha’s career to date.

In her injunction request, Kesha said, in part: “I know I cannot work with Dr. Luke. I physically cannot. I don’t feel safe in any way.” Her full complaint can be found here.

Unfortunately Kesha’s is not the first woman who has to see her abuser everyday. Work with him everyday. Watch her friends and colleagues speak to him everyday. Women across college and university campuses are doing it now. Women are forced to come home to their abusers with no way out.

The law has been written to protect the property of men and women continue to fall under that definition of property today.

Much of that is made clear from statements New York Supreme Court Justice Shirley Kornreich made when giving her verdict.

As stated by The Hollywood Reporter, Kornreich said it wasn’t reasonable for “the court to decimate a contract that was heavily negotiated and typical for the industry,” as well as after being told that Dr Luke had invested $60 million in Kesha that it “decimates your argument…my instinct is to do the commercially reasonable thing.”

And there you have it. The corporation has now become more important than the safety of women, and its rights must be protected instead. Of course contracts have been signed and there are legal obligations to uphold that contract, but when the mental and physical safety of people are at stake you would think that that would take precedence over the money. I can imagine there have been other contracts nullified for less. Are women expected to write anti-rape clauses in their job offers and contracts now to prevent anything like this from happening?

As of right now Kesha and Dr Luke’s work are being kept separate--however--she is still signed to his label in turn, he owns what she produces. Once again, woman’s autonomy is rendered useless. Her body is not her own. Her creativity and her work is not her own.

Meanwhile, female musicians are lining up in support of the #FreeKesha movement.

Kelly Clarkson (Dr Luke produced “Since U Been Gone”), Ariana Grande, Lady Gaga, Alessia Cara, Lorde, Lily Allen and Demi Lovato among so many others tweeted in solidarity with Kesha.
















Her fans are also planning a protest next Friday outside of Sony’s offices in New York City.

Kesha's strength lies in the fact that she's spoken out against her abuser in a very sexist, male-dominated industry. Having to relive her trauma throughout an entire legal proceeding only to have the justice system fail her is simply tragic. Not even fame, wealth and social standing are enough to protect this woman from her rapist, so how can regular women feel safe enough to report their assaults?

Rape culture remains alive and well in 2016.


The revolution will be televised: Beyonce's "Formation" brings pro-black politics to our screens

Wednesday, February 10, 2016



This weekend, Beyoncé pulled a Beyoncé and graced us all not only with a brand new single and an iconic Super Bowl halftime show performance, but with her politics. 

A black woman and music icon with unyielding power, Beyoncé has been criticised by many by not being "feminist enough" because of her costume, choreography and language as well as not being "black enough" because of her blonde weave.

With the drop of "Formation" Beyoncé literally puts up the deuces to those former accusations. The video features references to the Hurricane Katrina devastation, the Southern black LGBT community, Ferguson, Martin Luther King, the importance of hair to black women, and so much more. Just when it couldn't get any better, she brought a Black Panther Party crew of dancers with her to the Super Bowl.

But now the critics are back shouting reverse-racism (which isn't a thing).


Former New York Mayor Rudy Giuliani claimed that by referencing the Black Panther Party, Beyoncé was launching an attack on cops and called for "decent, wholesome"entertainment during the Super Bowl - whatever that means. Giuliani remains out of touch with American culture by claiming: "this is football, not Hollywood." Hollywood and the NFL remain multi-billion dollar industries that work hand-in-hand, and systematic racism permeates within them both.

Meanwhile, the day Beyoncé’s "Formation" world tour tickets go on sale on February 16, protesters are planning an anti-Beyoncé rally in front of the NFL Headquarters in New York City. The EventBrite page posted by an anonymous organiser plans to tell the NFL they don't want "hate speech and racism" at the Super Bowl.

What is it about black people celebrating their  blackness that makes people so afraid? Pro-black does not mean anti-white.



Beyoncé has unleashed her rally cry at a time when it seems to be the most difficult to be black in America. With over 1,000 black deaths at the hands of police in the past year and the most recent Flint water crisis, her call to arms couldn't come at a more appropriate time.

Conversations about race seem to be getting louder and louder. At the end of the month it will soon be #OscarsSoWhite, with many wondering how this year's host, Chris Rock, plans to open the show. The 2016 presidential race slowly draws near and Hillary Clinton has dropped the ball in her conversations with Black Lives Matter. Beyoncé is making sure that staying unapologetically black remains in the spotlight. Take up space, be loud and feel empowered for those who came before us.